This is also the best performance Thurman has given in years. Even the those with strong stomachs may feel a bit queasy after seeing some of the more blood-splattered sequences. This film is certainly not for all audiences. There's also a brilliant animated sequenceĭone in the Japanese anime style, which tells the origin of O-Ren, and which may seem like an odd digression but it works in the context of what is essentially a live-action cartoon. You hate to use the word "subtle" to describe a filmmaker as bombastic as Tarantino, but there is actually some subtlety here, such as a Zenlike pause in the action that may be the most poetic thing he's ever done. Fox), a housewife who's now "retired" from the business, and O-Ren Ishii (Lucy Liu), who has now become the head of the Tokyo underworld. After spending four years in a coma, this former killing machine is awakened and takes revenge on those responsible for nearly killing her, as well as her unborn child and the man she was to marry.Īnd she has a long list of enemies, including Vernita Green (Vivica A. Uma Thurman stars as a character known simply as The Bride. (It should be noted that at least one scene was changed from color to black and white to keep the film from getting a rating more harsh than R.) Yet, for those who can stomach "Bill's" peculiar brand of ultraviolence, this revenge yarn is an adrenaline-fueled thrill ride that will satisfy even the most carnage-crazed action fan. Either you love him or you hate him, and this film is unlikely to change anyone's mind either way. Ultimately, whether audiences will enjoy "Kill Bill" will depend on how they feel about writer/director Quentin Tarantino. OK, that sounds like hyperbole, but consider this - heads fly, limbs are hacked off, women are beaten brutally and shot in the head, and blood flows like a river. 1" may be the most violent movie ever made. 1 is little more than a demented Britney Spears video."Kill Bill, Vol. Indulgent, immature and lazy, Kill Bill: Vol. This 2003 bloodbath is overwhelmed by Tarantino’s bludgeoning (and misfiring) attempts to make something really cool. But you know what else played with martial arts and animé? The Matrix – and it did so with way more style and substance, four years earlier. There are some great music cues (and that godawful Woo-Hoo song), a cool animé sequence and more shots of women’s feet. 1 is frustrating in its glimpses of Tarantino’s brilliance. It looks as though a decade of (deserved) praise went to Quentin’s movie-geek head, and he was granted the resources and autonomy to let his most fanboyish indulgences run wild. But the inanely excessive Kill Bill sees Tarantino’s unpredictable bursts of violence replaced by an unending stream of uninteresting bloodshed. Reservoir Dogs, Pulp Fiction and Jackie Brown were ingeniously written, positively fizzing with dark wit, compelling characters and pop literacy. This is particularly odd given Tarantino’s previous form in terms of dialogue. “It’s mercy, compassion and forgiveness I lack not rationality.” Who talks like that? It’s a gawky reference to Sergio Leone’s Man with No Name, but the (Quen)tin-eared dialogue makes her more Tim Westwood than Clint Eastwood. Her yellow motorcycle outfit is instantly iconic, but the problem (besides the helmet hair) is that she’s not really cool enough to pull off this role. He overloads the film with excessive violence, endless homage and people he fancies Lucy Liu, Daryl Hannah, Michael Madsen… and of course Uma Thurman as BEEEEEP. Tarantino’s sporadically funny but largely tone-deaf comedy, combined with a distinct lack of restraint, results in a decidedly witless pastiche.Ĭhapter II: Tarantinoh-no-she-better-don’t Maybe it’s a joke, but it’s hard to tell – and that’s a pervasive problem with the movie it walks a clumsy line between martial arts parody and semi-serious exploitationer. And by “unnamed”, I mean that her name is actually beeped out. Uma Thurman plays an unnamed assassin, seeking vengeance on the Deadly Viper Assassination Squad who tried to kill her. 1, which I will review in chapters like Tarantino has used in every bloody movie. Quentin Tarantino’s fourth feature (sub-category: terrible title) is Kill Bill: Vol.
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